---
title: "Blog — page 2 of 7 | Clé Reserva"
description: "News on art conservation, logistics and the art market, exhibitions, museums and collecting, published by Clé Reserva Contemporânea. (Page 2.)"
canonical_url: https://www.clereserva.com/en/category/blog/page/2/
language: en-GB
copyright: © 2026 Clé Reserva Contemporânea
---

# Blog — page 2 of 7 | Clé Reserva

[![If it is true that the year only begins after carnival, 2025 already arrives with a busy art calendar in Brazil.](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%20300%20169'%3E%3C/svg%3E)](https://www.clereserva.com/en/confira-o-calendario-de-eventos-de-arte-no-brasil-em-2025/)

## [See the calendar of art events in Brazil in 2025](https://www.clereserva.com/en/confira-o-calendario-de-eventos-de-arte-no-brasil-em-2025/)

If it is true that the year only begins after carnival, 2025 already arrives with a busy art calendar in Brazil.

[Read More »](https://www.clereserva.com/en/confira-o-calendario-de-eventos-de-arte-no-brasil-em-2025/)

[![changes in rainfall patterns and the frequency of extreme events can be critical for the storage of artworks,](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%20300%20169'%3E%3C/svg%3E)](https://www.clereserva.com/en/como-mudancas-climaticas-afetam-obras-de-arte/)

## [How climate change affects artworks](https://www.clereserva.com/en/como-mudancas-climaticas-afetam-obras-de-arte/)

Changes in rainfall patterns and the frequency of extreme events can be critical for the storage of artworks.

[Read More »](https://www.clereserva.com/en/como-mudancas-climaticas-afetam-obras-de-arte/)

[![Vilma Eid in a solo exhibition at Instituto Tomie Ohtake rks by more than a hundred popular, modern and contemporary artists.](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%20300%20169'%3E%3C/svg%3E)](https://www.clereserva.com/en/vilma-eid-em-exposicao-individual-no-instituto-tomie-ohtake/)

## [Vilma Eid collection on show at Instituto Tomie Ohtake](https://www.clereserva.com/en/vilma-eid-em-exposicao-individual-no-instituto-tomie-ohtake/)

Vilma Eid in a solo exhibition at Instituto Tomie Ohtake with works by more than a hundred artists.

[Read More »](https://www.clereserva.com/en/vilma-eid-em-exposicao-individual-no-instituto-tomie-ohtake/)

[![The exhibition TUDO PODE (perder-se), a solo retrospective of the multi-artist Tadeu Jungle, runs until July at Centro Cultural Fiesp, in São Paulo.](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%20300%20169'%3E%3C/svg%3E)](https://www.clereserva.com/en/retrospectiva-de-tadeu-jungle-na-fiesp/)

## [Tadeu Jungle retrospective at Fiesp](https://www.clereserva.com/en/retrospectiva-de-tadeu-jungle-na-fiesp/)

The exhibition TUDO PODE (perder-se), a solo retrospective of the multi-artist Tadeu Jungle, runs until July at Centro Cultural Fiesp, in São Paulo.

[Read More »](https://www.clereserva.com/en/retrospectiva-de-tadeu-jungle-na-fiesp/)

[![Six artists posing, seated and standing, in the open floor of a concrete pavilion](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%20300%20200'%3E%3C/svg%3E)](https://www.clereserva.com/en/bienal-de-sao-paulo-anuncia-conceito-e-curadoria/)

## [Bienal de São Paulo announces concept and curatorship](https://www.clereserva.com/en/bienal-de-sao-paulo-anuncia-conceito-e-curadoria/)

Nem todo viandante anda estradas – Da humanidade como prática will be the theme of the exhibition.

[Read More »](https://www.clereserva.com/en/bienal-de-sao-paulo-anuncia-conceito-e-curadoria/)

[![Sculpture of a hollow tree trunk suspended by metal rods in an exhibition room](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%20300%20200'%3E%3C/svg%3E)](https://www.clereserva.com/en/curador-brasileiro-assume-direcao-do-malba/)

## [Brazilian curator takes over the direction of Malba](https://www.clereserva.com/en/curador-brasileiro-assume-direcao-do-malba/)

Rodrigo Moura is the new director of the Argentine museum of “Abaporu”

[Read More »](https://www.clereserva.com/en/curador-brasileiro-assume-direcao-do-malba/)

[![Two uniformed technicians opening an artwork crate in an exhibition room](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%20300%20200'%3E%3C/svg%3E)](https://www.clereserva.com/en/logistica-na-art-basel/)

## [Logistics at Art Basel](https://www.clereserva.com/en/logistica-na-art-basel/)

Part of the work fell to LP Art, a company belonging to the same international group of which Clé Reserva Contemporânea is part.

[Read More »](https://www.clereserva.com/en/logistica-na-art-basel/)

[![The Musée du Luxembourg in Paris has just opened the exhibition Tarsila do Amaral: pintar o Brasil moderno](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%20300%20200'%3E%3C/svg%3E)](https://www.clereserva.com/en/tarsila-do-amaral-ganha-exposicoes-retrospectivas-na-europa/)

## [Tarsila do Amaral gets retrospective exhibitions in Europe](https://www.clereserva.com/en/tarsila-do-amaral-ganha-exposicoes-retrospectivas-na-europa/)

The Musée du Luxembourg, in Paris, has just opened the exhibition Tarsila do Amaral: pintar o Brasil moderno.

[Read More »](https://www.clereserva.com/en/tarsila-do-amaral-ganha-exposicoes-retrospectivas-na-europa/)

[![Conference on fine art storage brings together specialists in Paris](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%20300%20169'%3E%3C/svg%3E)](https://www.clereserva.com/en/conferencia-sobre-reservas-tecnicas-reune-especialistas-em-paris/)

## [Conference on fine art storage brings together specialists in Paris](https://www.clereserva.com/en/conferencia-sobre-reservas-tecnicas-reune-especialistas-em-paris/)

The world's leading specialists in museum fine art storage meet in Paris, in October.

[Read More »](https://www.clereserva.com/en/conferencia-sobre-reservas-tecnicas-reune-especialistas-em-paris/)

[![From France to Brazil: the transport of an exhibition for the Pinacoteca](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%20300%20200'%3E%3C/svg%3E)](https://www.clereserva.com/en/da-franca-ao-brasil-o-transporte-de-uma-exposicao-da-pinacoteca/)

## [From France to Brazil: the transport of an exhibition for the Pinacoteca](https://www.clereserva.com/en/da-franca-ao-brasil-o-transporte-de-uma-exposicao-da-pinacoteca/)

A meticulous operation between France and Brazil for the transport of 129 African textile pieces to the Pinacoteca de São Paulo.

[Read More »](https://www.clereserva.com/en/da-franca-ao-brasil-o-transporte-de-uma-exposicao-da-pinacoteca/)

[![An Art Quality technician in black gloves handling a dark painting of two hands](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%20300%20200'%3E%3C/svg%3E)](https://www.clereserva.com/en/a-logistica-da-exposicao-de-leonilson-no-masp/)

## [The logistics of the Leonilson exhibition at MASP](https://www.clereserva.com/en/a-logistica-da-exposicao-de-leonilson-no-masp/)

The exhibition had its logistics carried out entirely by Art Quality, with the participation of Clé Reserva Contemporânea.

[Read More »](https://www.clereserva.com/en/a-logistica-da-exposicao-de-leonilson-no-masp/)

[![Alternative art fair reaches its 12th edition in Belo Horizonte](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%20300%20200'%3E%3C/svg%3E)](https://www.clereserva.com/en/feira-alternativa-de-arte-chega-a-12a-edicao-em-belo-horizonte/)

## [Alternative art fair reaches its 12th edition in Belo Horizonte](https://www.clereserva.com/en/feira-alternativa-de-arte-chega-a-12a-edicao-em-belo-horizonte/)

For those who like exploring alternative paths in the art market, one tip is to keep an eye on JUNTA.

[Read More »](https://www.clereserva.com/en/feira-alternativa-de-arte-chega-a-12a-edicao-em-belo-horizonte/)

---

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